Difference between revisions of "Kitsch"
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Fairburn and Schoon have [http://dnzb.govt.nz/ Dictionary of New Zealand Biography] entries. | Fairburn and Schoon have [http://dnzb.govt.nz/ Dictionary of New Zealand Biography] entries. | ||
{{wikipedia|Theodorus_Johannes_Schoon}}]]</td> | {{wikipedia|Theodorus_Johannes_Schoon}}]]</td> | ||
− | <td width="25%"> | + | <td width="25%">[[File:Hanging.jpg|thumb|left|A wall hanging on fabric.]]</td> |
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Revision as of 13:51, 28 July 2011
Archaeological Kitsch
Archaeological items of iconic status become the subject of modern copies and re-use of the imagery. New Zealand items are not immune.
Maori Rock Art
Rock drawings seem to have been particularly prone to this - borrowings appearing on fabrics, glassware, ceramics, postage stamps and even matchboxes. O'Regan discusses this use in the context of cultural property[1]. |
Scarves | ||||
Glasses | ||||
Enamelled Dishes | ||||
Stamps and Coins | ||||
Fabric / Carpet | ||||
Ceramics | ||||
Matchboxes | ||||
; | ||||
Furniture | ||||
Wall Decorations Enamelled | ||||
Wall Decorations Copper | ||||
Wall Decorations Wood | ||||
Clothing | ||||
Maori Other
Colonial
Barry Curtis Park in South Auckland has volcanic rock walls, reconstructed from a nearby farm site. The unfortunate result is what happens when landscape architecture captures archaeological reconstruction.
|
References
- ↑ O'Regan, G. 2008 The shifting place of Ngai Tahu rock art. in Sue O'Connor, Geoffrey Clark, Foss Leach (Eds), Islands of inquiry : colonisation, seafaring and the archaeology of maritime landscapes. Terra Australis 29 Accessed at http://epress.anu.edu.au/terra_australis/ta29/pdf/ch26.pdf