Difference between revisions of "Maori Oven. W. Hart-Smith"
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| − | + | '''You cut into the warm earth''' | |
| − | and shatter the dead shells into bright fragments. | + | '''and shatter the dead shells into bright fragments.''' |
| − | Why does a piece of obsidian, a bone pick | + | '''Why does a piece of obsidian, a bone pick''' |
| − | sharp as yesterday, give, you so much | + | '''sharp as yesterday, give, you so much''' |
| − | pleasure? Leave it alone, Pakeha, | + | '''pleasure? Leave it alone, Pakeha,''' |
| − | leave it alone!''' | + | '''leave it alone!''' |
(Last six lines) | (Last six lines) | ||
Revision as of 23:31, 18 June 2014
Maori Oven
.............
You cut into the warm earth
and shatter the dead shells into bright fragments.
Why does a piece of obsidian, a bone pick
sharp as yesterday, give, you so much
pleasure? Leave it alone, Pakeha,
leave it alone!
(Last six lines)
From On the Level, Mostly Canterbury Poems W. Hart-Smith Printed Timaru Herald 1950. Maori Oven's opening line sets a context of excavating into turf with a shovel. Another poem in the book is entitled 'Cave Paintings".
The book's cover featured a reproduction of a cave drawing by Theo Schoon.
Hart-Smith was a sometime adult education tutor in Timaru and gave assistance to Schoon. He was British born and resident at times in Australia and New Zealand. He produced many volumes of poetry.
