Difference between revisions of "Kitsch"
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Rock drawings seem to have been particularly prone to this - borrowings appearing on fabrics, glassware and stamps. | Rock drawings seem to have been particularly prone to this - borrowings appearing on fabrics, glassware and stamps. | ||
− | O'Regan discusses this use in the context of cultural property<ref>O'Regan, G 2008 The shifting place of Ngai Tahu rock art. in Sue O'Connor, Geoffrey Clark, Foss Leach (Eds) Islands of inquiry : colonisation, seafaring and the archaeology of maritime landscapes Terra Australis 29 Accessed at http://epress.anu.edu.au/terra_australis/ta29/pdf/ch26.pdf</ref>. | + | O'Regan discusses this use in the context of cultural property<ref>O'Regan, G. 2008 The shifting place of Ngai Tahu rock art. in Sue O'Connor, Geoffrey Clark, Foss Leach (Eds), Islands of inquiry : colonisation, seafaring and the archaeology of maritime landscapes. Terra Australis 29 Accessed at http://epress.anu.edu.au/terra_australis/ta29/pdf/ch26.pdf</ref>. |
Revision as of 08:02, 4 March 2010
Archaeological Kitsch
Archaeological items of iconic status become the subject of modern copies and re-use of the imagery. New Zealand items are not immune.
Maori
Rock drawings seem to have been particularly prone to this - borrowings appearing on fabrics, glassware and stamps. O'Regan discusses this use in the context of cultural property[1].
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Colonial
Barry Curtis Park in south Auckland has volcanic rock walls, reconstructed from a nearby farm site. The unfortunate result is what happens when landscape architecture captures archaeological reconstruction.
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References
- ↑ O'Regan, G. 2008 The shifting place of Ngai Tahu rock art. in Sue O'Connor, Geoffrey Clark, Foss Leach (Eds), Islands of inquiry : colonisation, seafaring and the archaeology of maritime landscapes. Terra Australis 29 Accessed at http://epress.anu.edu.au/terra_australis/ta29/pdf/ch26.pdf