Difference between revisions of "Art"
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− | Archaeology has inspired some New Zealand art. | + | Archaeology has inspired some New Zealand art. Some others can be found on Archaeopedia's [[Kitsch]] page. |
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+ | {{Wikipedia|Shane Cotton}}'''Shane Cotton''' is a painter with Maori ancestry. His works have dense use of symbolism much of it drawing on Maori heritage. Some paintings reference the volcanic cones of the inland Bay of Islands, his ancestral territory. These are the sites of pa, some named in his paintings<ref>Anon 2003 Shane Cotton. Victoria University Press, Wellington.</ref>. | ||
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+ | '''Thomas Selby Cousins''' 1840-1897. Cousins depicted the Waikari cave drawings in North Canterbury in 1876. He showed a reconstruction of Maori at the shelter - perhaps the first re-constructive depiction. [http://www.teara.govt.nz/en/artwork/10165/maori-at-weka-pass See] [http://digitalnz.org/records/22833552 See]. | ||
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+ | '''Robert Ellis''' has produced many paintings in a theme of [http://maps.google.co.nz/maps/ms?ie=UTF8&moduleurl=http:%2F%2Fmaps.google.co.nz%2Fintl%2Fen_nz%2Fhelp%2Fmaps%2Fholidays%2Fmapplet.html&mapclient=google&hl=en&msa=0&ll=-35.181525,174.331484&spn=0.03697,0.055189&t=h&z=14&msid=107448655971117077486.000487117fb819cfbb9f4 Rakaumangamanga] - a pa site in Northland near Cape Brett. An example more clearly illustrative than some, is in Te Papa<ref>http://collections.tepapa.govt.nz/objectdetails.aspx?oid=42173&page=18&imagesonly=true Accessed May 2010.</ref>. His daughter Ngarino Ellis is an art historian specialising in Maori arts. | ||
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'''Carol Fletcher''' is a Raglan based artist. In some of her output she works with found objects - the sort of items that archaeologists conserve from sites or pick up on field surveys. She displays these in the form of arrays or organised series as if the objects were being formally classified. | '''Carol Fletcher''' is a Raglan based artist. In some of her output she works with found objects - the sort of items that archaeologists conserve from sites or pick up on field surveys. She displays these in the form of arrays or organised series as if the objects were being formally classified. | ||
− | Brown (2009:128)notes her training is in mathematics and anthropology but not archaeology. | + | Brown (2009:128)<ref>Brown, Warwick, 2009 ''Seen this century, 100 contemporary New Zealand artists, a collectors guide''. Random House, Auckland.</ref> notes her training is in mathematics and anthropology but not archaeology. Her art perhaps reflects that of [http://en.wikipedia.org/wiki/Susan_Hiller Susan Hiller] who too came to art from anthropology and produced early works drawing from archaeology<ref>[http://www.susanhiller.org/Info/artworks/artworks-fragments.html]Accessed August 2010</ref>. |
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+ | '''Russell Jackson''' often includes pa sites in his landscapes. An example - a picture of Mt Eden/Maungawhau is here<ref>http://www.stbenedictsgallery.com/assets/galleries/Gallery/_resampled/ResizeByWidth6000-830-NorthernSlopes.jpg Accessed May 2010.</ref>. | ||
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+ | "Russell Jackson draws his subject matter from his interest in ornithology and archaeology. He is especially known for his coastal landscapes and birdlife rendered with a particularly New Zealand feel, in enamel paint<ref>http://www.stbenedictsgallery.com/russell-jackson/ Accesssed May 2010.</ref>". | ||
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+ | <img src="https://i.pinimg.com/originals/52/0e/52/520e52aea4db6abe19df1aebdb8dd263.jpg" border="0" width="450" height="314" ></a> | ||
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+ | "Commemorative Tumulus" by the wonderful [http://en.wikipedia.org/wiki/Reg_Mombassa '''Reg Mombassa'''] - surely inspired by pa sites. | ||
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+ | '''Selwyn Muru''' drew widely on aspects of Maori art but particularly including rock art motifs in his 1960's paintings. [http://www.fletchercollection.co.nz/exhibition/turning-points/category3/selwy-muru.php This is an example]. | ||
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+ | '''Alvin Pankhurst''' uses images of historic Maori carvings set in natural landscapes in a way that often suggests they are in an 'found' context - an imagined archaeology. [http://www.alvinpankhurst.com Alvin Pankhurst Studio Gallery] | ||
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− | + | '''Michael Shepherd''' uses historical imagery, particularly from his own experience and around his Ngaruawhahia birthplace in his painting. Pa sites and New Zealand Wars sites appear. Bell<ref>Bell, Claudia 2005 ''Excavating the Past'' Gilt Edge Publishing, Wellington.</ref> has written about his art. | |
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+ | [http://www.aucklandartgallery.com/the-collection/browse-artists/2029/michael-shepherd/images Shepherd in the Auckland Art Gallery Collections] | ||
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+ | '''William Alexander Sutton''' 1917-2000 was a leading Canterbury artist and teacher<ref>Wikipedia entry http://en.wikipedia.org/wiki/Bill_Sutton_(artist) </ref>. Waikari cave drawings was also his subject in 1951, early in his exploration of the North Canterbury landscape which was a consistent theme in his art <ref>Johnstone, C 2013 '''Landscape Paintings of New Zealand''' Godwit p204</ref>. [http://christchurchartgallery.org.nz/collection/objects/92-86/ See]. | ||
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+ | [http://aucklandartgallery.blogspot.co.nz/2011/09/dennis-turner.html '''Dennis Knight Turner'''] utilised rock art imagery in some 1950's paintings. [[File:Turner.jpg]] | ||
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− | ''' | + | '''Gordon Walters''' 1919 - 1995. Walters is a major figure in 20th century New Zealand art. His best known art combines Maori symbols into geometric abstract art, but Marquesan figures were another inspiration. Some of his artwork is pure abstraction. His introduction to Maori figures came in 1946 on a visit to his friend and mentor [[Schoon Theo|Theo Schoon]] who was photographing Maori rock art at Opihi River. <ref> [http://en.wikipedia.org/wiki/Gordon_Walters Wikipedia article, Gordon Walters]</ref> He was married to noted scholar of Maori matters, Margaret Orbell. |
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+ | '''References''' | ||
+ | <references /> | ||
[[Category:Media]] | [[Category:Media]] |
Latest revision as of 18:43, 27 January 2019
Archaeology has inspired some New Zealand art. Some others can be found on Archaeopedia's Kitsch page.
Shane Cotton is a painter with Maori ancestry. His works have dense use of symbolism much of it drawing on Maori heritage. Some paintings reference the volcanic cones of the inland Bay of Islands, his ancestral territory. These are the sites of pa, some named in his paintings[1].
Thomas Selby Cousins 1840-1897. Cousins depicted the Waikari cave drawings in North Canterbury in 1876. He showed a reconstruction of Maori at the shelter - perhaps the first re-constructive depiction. See See.
Robert Ellis has produced many paintings in a theme of Rakaumangamanga - a pa site in Northland near Cape Brett. An example more clearly illustrative than some, is in Te Papa[2]. His daughter Ngarino Ellis is an art historian specialising in Maori arts.
Carol Fletcher is a Raglan based artist. In some of her output she works with found objects - the sort of items that archaeologists conserve from sites or pick up on field surveys. She displays these in the form of arrays or organised series as if the objects were being formally classified. Brown (2009:128)[3] notes her training is in mathematics and anthropology but not archaeology. Her art perhaps reflects that of Susan Hiller who too came to art from anthropology and produced early works drawing from archaeology[4].
Russell Jackson often includes pa sites in his landscapes. An example - a picture of Mt Eden/Maungawhau is here[5].
"Russell Jackson draws his subject matter from his interest in ornithology and archaeology. He is especially known for his coastal landscapes and birdlife rendered with a particularly New Zealand feel, in enamel paint[6]".
"Commemorative Tumulus" by the wonderful Reg Mombassa - surely inspired by pa sites.
Selwyn Muru drew widely on aspects of Maori art but particularly including rock art motifs in his 1960's paintings. This is an example.
Alvin Pankhurst uses images of historic Maori carvings set in natural landscapes in a way that often suggests they are in an 'found' context - an imagined archaeology. Alvin Pankhurst Studio Gallery
Michael Shepherd uses historical imagery, particularly from his own experience and around his Ngaruawhahia birthplace in his painting. Pa sites and New Zealand Wars sites appear. Bell[7] has written about his art.
Shepherd in the Auckland Art Gallery Collections
William Alexander Sutton 1917-2000 was a leading Canterbury artist and teacher[8]. Waikari cave drawings was also his subject in 1951, early in his exploration of the North Canterbury landscape which was a consistent theme in his art [9]. See.
Dennis Knight Turner utilised rock art imagery in some 1950's paintings.
Gordon Walters 1919 - 1995. Walters is a major figure in 20th century New Zealand art. His best known art combines Maori symbols into geometric abstract art, but Marquesan figures were another inspiration. Some of his artwork is pure abstraction. His introduction to Maori figures came in 1946 on a visit to his friend and mentor Theo Schoon who was photographing Maori rock art at Opihi River. [10] He was married to noted scholar of Maori matters, Margaret Orbell.
References
- ↑ Anon 2003 Shane Cotton. Victoria University Press, Wellington.
- ↑ http://collections.tepapa.govt.nz/objectdetails.aspx?oid=42173&page=18&imagesonly=true Accessed May 2010.
- ↑ Brown, Warwick, 2009 Seen this century, 100 contemporary New Zealand artists, a collectors guide. Random House, Auckland.
- ↑ [1]Accessed August 2010
- ↑ http://www.stbenedictsgallery.com/assets/galleries/Gallery/_resampled/ResizeByWidth6000-830-NorthernSlopes.jpg Accessed May 2010.
- ↑ http://www.stbenedictsgallery.com/russell-jackson/ Accesssed May 2010.
- ↑ Bell, Claudia 2005 Excavating the Past Gilt Edge Publishing, Wellington.
- ↑ Wikipedia entry http://en.wikipedia.org/wiki/Bill_Sutton_(artist)
- ↑ Johnstone, C 2013 Landscape Paintings of New Zealand Godwit p204
- ↑ Wikipedia article, Gordon Walters