Difference between revisions of "Schoon Theo"
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[[Image:Schoon2.jpg|right]]Theo Schoon was born in the Dutch East Indies, recieved art training in Holland and migrated to New Zealand in 1939. He lived much of his life here after that. | [[Image:Schoon2.jpg|right]]Theo Schoon was born in the Dutch East Indies, recieved art training in Holland and migrated to New Zealand in 1939. He lived much of his life here after that. | ||
| − | In 1946 he commenced fieldwork in the South Island recording Maori rock drawings and continued | + | In 1946 he commenced fieldwork in the South Island recording Maori rock drawings and continued periodically until 1950, latterly in the North Island. His recordings were initially oil paintings on board but later included photographs. His work was sponsored by Canterbury Museum and the Department of Internal Affairs. [[Duff Roger|Roger Duff]] took part in some of the fieldwork. The sponsorship covered little of the cost. Coney<ref>Coney Hamish, 2013, From Rotterdam to Rotorua. Content the magazine by Art+Object 1:24-30.</ref> ascribes the period of the South Island fieldwork as 1945-48. |
| − | + | A recent biography is by Damian Skinner<ref>Damian Skinner 2018 Theo Schoon. Massey University Press</ref>. An earlier account of his work is that of Roberts.<ref>Roberts, N 1985 [http://www.christchurchartgallery.org.nz/Publications/1985/TheoSchoon/TheoSchoon.pdf ''Maori rock drawing and Theo Schoon''] in Christchurch Art Gallery 1985 ''Maori rock drawing: the Theo Schoon interpretations''</ref> | |
| − | There is one contemporary account by Schoon himself though written in part in the third person | + | |
| + | There is one contemporary account by Schoon himself though written in part in the third person<ref>Schoon, T 1962 An early exploration of N.Z. shelter drawings. New Zealand Archaeological Association Newsletter 5(2) 124-16.</ref>. Another account based on an interview with Schoon is by Vaassen.<ref>Vaassen, S 1963 Became a cavemen to study Maori rock drawings. The N.Z. Women's Weekly, May 6:17. accessed 2010 at http://www.lawas.co.nz/Doc1.doc</ref> | ||
Schoon stands accused of having retouched the drawings during this work. [[Fomison Tony|Fomison]]<ref>Fomison, A 1987 Theo Schoon and the retouching of rock art. New Zealand Archaeological Association Newsletter 30(3):158-160.</ref> reviews the evidence for this - which is clear. Schoon has described his methods as being restoration dot for dot and never adding any interpretation, and also made some self defence: 'I am being blamed for bad retouching work which was done long before I ever saw a cave drawing.'<ref>Schoon, T 1962 An early exploration of N.Z. shelter drawings. New Zealand Archaeological Association Newsletter 5(2) 124-16.</ref> | Schoon stands accused of having retouched the drawings during this work. [[Fomison Tony|Fomison]]<ref>Fomison, A 1987 Theo Schoon and the retouching of rock art. New Zealand Archaeological Association Newsletter 30(3):158-160.</ref> reviews the evidence for this - which is clear. Schoon has described his methods as being restoration dot for dot and never adding any interpretation, and also made some self defence: 'I am being blamed for bad retouching work which was done long before I ever saw a cave drawing.'<ref>Schoon, T 1962 An early exploration of N.Z. shelter drawings. New Zealand Archaeological Association Newsletter 5(2) 124-16.</ref> | ||
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{{Wikipedia|Theodorus_Johannes_Schoon}} | {{Wikipedia|Theodorus_Johannes_Schoon}} | ||
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'''References''' | '''References''' | ||
Latest revision as of 12:46, 24 January 2019
Theodorus Johannes Schoon 1915 - 1985
In 1946 he commenced fieldwork in the South Island recording Maori rock drawings and continued periodically until 1950, latterly in the North Island. His recordings were initially oil paintings on board but later included photographs. His work was sponsored by Canterbury Museum and the Department of Internal Affairs. Roger Duff took part in some of the fieldwork. The sponsorship covered little of the cost. Coney[1] ascribes the period of the South Island fieldwork as 1945-48. A recent biography is by Damian Skinner[2]. An earlier account of his work is that of Roberts.[3]
There is one contemporary account by Schoon himself though written in part in the third person[4]. Another account based on an interview with Schoon is by Vaassen.[5]
Schoon stands accused of having retouched the drawings during this work. Fomison[6] reviews the evidence for this - which is clear. Schoon has described his methods as being restoration dot for dot and never adding any interpretation, and also made some self defence: 'I am being blamed for bad retouching work which was done long before I ever saw a cave drawing.'[7]
Some of the records he made are the only surviving records of features now gone, but the use of greasy crayon in retouching some of the pictures is hard to forgive.
Schoon's personal art was in painting, photography, carving of gourds [8][9] and carving of nephrite. His publication on the latter shows an interest in reproducing traditional Maori items but has few insights as to their art[10]. He is a relatively minor figure in New Zealand art, perhaps best known for his influence on others, including Len Castle[11], Dennis Knight Turner [12] Gordon Walters [13], Rex Fairburn who made fabric prints utilising Schoon's rock art records and Rita Angus [14], who painted a portrait of Schoon, and he of her.
Occasionally nephrite carvings by Schoon appear on art markets, some replicating Maori forms, e.g. Art and Object 2012 http://www.artandobject.co.nz/files/Auctions/108_264_large.jpg.
Schoon has an entry in the Dictionary of New Zealand Biography: http://www.teara.govt.nz/en/biographies/5s4/1
References
- ↑ Coney Hamish, 2013, From Rotterdam to Rotorua. Content the magazine by Art+Object 1:24-30.
- ↑ Damian Skinner 2018 Theo Schoon. Massey University Press
- ↑ Roberts, N 1985 Maori rock drawing and Theo Schoon in Christchurch Art Gallery 1985 Maori rock drawing: the Theo Schoon interpretations
- ↑ Schoon, T 1962 An early exploration of N.Z. shelter drawings. New Zealand Archaeological Association Newsletter 5(2) 124-16.
- ↑ Vaassen, S 1963 Became a cavemen to study Maori rock drawings. The N.Z. Women's Weekly, May 6:17. accessed 2010 at http://www.lawas.co.nz/Doc1.doc
- ↑ Fomison, A 1987 Theo Schoon and the retouching of rock art. New Zealand Archaeological Association Newsletter 30(3):158-160.
- ↑ Schoon, T 1962 An early exploration of N.Z. shelter drawings. New Zealand Archaeological Association Newsletter 5(2) 124-16.
- ↑ Gunn, A 2007 Picturing Space: Theo Schoon, Ross Crothall and Visual Art in the Pacific. On Space,7, The Australian National University, accessed 2010 at http://www.doubledialogues.com/archive/issue_seven/gunn.htmlhttp://www.doubledialogues.com/archive/issue_seven/gunn.html
- ↑ Dunn, M. 1982 The Art of Theo Schoon Art New Zealand 25, accessed 2010 at http://www.art-newzealand.com/Issues21to30/theo.htm
- ↑ Schoon, T 1973 Jade Country. Jade Arts Sydney.
- ↑ Art Encyclopedia: Len Castle accessed 2010 at http://www.answers.com/topic/len-castle
- ↑ Anon, 2010 New Zealand Art form Cook to Contemporary. Te Papa Press. p115.
- ↑ Gordon Walters. Fisher Galleries, accessed 2010 at http://www.fishersfinearts.co.nz/Artist,135,Walters/
- ↑ Dunn M, 2003 Rita Angus & Theo Schoon An Unlikely Friendship. Art New Zealand 107, accessed 2010 at http://www.art-newzealand.com/Issue107/Angus.htm
